Alain Locke is a name that even most educated African Americans don’t know. In the early twentieth century, he was the first African American Rhodes Scholar selected to study at Oxford. He pursued a career as a philosopher, received a PhD from Harvard, and taught at Howard University, the premier black institution in America. Most importantly, he helped spark the Harlem Renaissance of the 1920s and onward. He birthed the concept of the New Negro – that black people can reinvent themselves around the arts to play a meaningful role in American society.
Interestingly, he lived life as a closeted homosexual. His love life was marked with instability as he moved from one lover to another. He fed off the energy that his lovers provided to him, but he was about 80 years too soon for stable homosexual relationships. I ponder what kind of impact Locke might have in contemporary society with the dual-minority status as black and gay.
This book is a long book – 944 pages. Although Stewart deals with intellectual issues with care (as one should with a philosopher), I wonder whether a 600-page book (with tightened prose and a more rapid narrative) might have an even greater effect in the marketplace. But then again, this book did win the National Book Award, so Stewart can’t be too far off.
For me, this book provided an exposure to the pre-civil-rights lives of African Americans. Its focus is not on the American South (where I live), but on the urban North. Locke mainly aimed to provide inspiration of black voices in cities. Nonetheless, he lived in DC under segregated conditions. He never lived to see the freedoms of cultural integration. However, he did anticipate such movements and sought to promulgate its effect through art. This art tied back to Africa as its source and used African forms as its methodology. Like many a black intellectual, he was tired of judging success from the vantage point of the white European tradition.
Was Locke effective? When one considers the scope of the last 100 years of American history, one cannot help but say yes, Locke was effective. Black artistry – both in its refined sense and also in its popular sense – dominates the American cultural landscape. It resides in the mainstream of culture, and its sophistication has led to the acceptance of blacks into that mainstream. Stewart leaves us with the (correct) impression that Locke would be proud of the legacy he helped to leave for his country and his people.
The New Negro: The Life of Alain Locke
by Jeffrey C. Stewart
Copyright (c) 2018
ISBN13 9780195089578
Page Count: 944
Audiobook
Genre: Biography, American History
www.amazon.com